{"id":1449,"date":"2025-08-05T14:26:02","date_gmt":"2025-08-05T14:26:02","guid":{"rendered":"https:\/\/pascalfrancois.com\/?p=1449"},"modified":"2025-08-14T07:32:02","modified_gmt":"2025-08-14T07:32:02","slug":"article-1","status":"publish","type":"post","link":"https:\/\/pascalfrancois.com\/index.php\/2025\/08\/05\/article-1\/","title":{"rendered":"Abracadablanca"},"content":{"rendered":"\t\t
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A ceux et celles qui croient dompter la mer, \u00e0 ceux et celles qui pensent dominer la ville. Au plus bel arbre, fier et tendu, \u00e0 l\u2019ascension pour grandir \u00e0 tout prix au-del\u00e0 et par del\u00e0.<\/p>\n


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A celles et ceux qui voient dans l\u2019arabesque une arabesque, et disent du rouge qu\u2019il est rouge, toujours dire oui, certes toujours, toujours un peu, mais en regardant mieux, encore, en regardant encore ?<\/span><\/p>\n

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A ceux et celles qui croient conna\u00eetre le genre, l\u2019identit\u00e9, \u00e0 ceux et celles qui savent la naissance et l\u2019appartenance, encore dire oui,<\/span><\/p>\n

peut-\u00eatre, mais en portant plus haut le regard ?<\/p>\n


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A celles qui connaissent les nombres c\u00e9l\u00e9brissimes du bout des doigts, \u00e0 ceux qui rient \u00e0 gorge d\u00e9ploy\u00e9e d\u2019avoir compris l\u2019humour des hommes. A celles qui jouent des mots comme d\u2019une fl\u00fbte \u00e0 douze becs, \u00e0 ceux qui portent la voix au c\u0153ur sans passer par l\u2019oreille, parce qu\u2019un oiseau les habite.<\/span><\/p>\n


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A celles au regard plus clair le matin d\u2019avoir r\u00eav\u00e9 des \u00e9blouissements et des terreurs, qui c\u00f4toient les sir\u00e8nes et des \u00eatres \u00e0 trois visages et quatre sexes et les lieux, qui ne sont que m\u00e9moire, qui se meurent dans la beaut\u00e9, qui chutent dans la mati\u00e8re.<\/span><\/p>\n

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Oui, mais plus encore ?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Car il y a le bestiaire des formes, l\u2019inventaire des couleurs, leur brassage infini jusqu\u2019\u00e0 l\u2019\u00e9puisement dans le brun et le trait qui ordonne s\u00e9pare d\u00e9sordonne unit pour dire la ville pleine, organique et magique.<\/p>

Et puis la virtuosit\u00e9 de peu de poids devant la vision int\u00e9rieure.\u00a0<\/span>Et puis le rire.\u00a0<\/span>Et puis, inalt\u00e9rable, la joie.\u00a0<\/span>La joie ind\u00e9cente ! Comment la dire, la joie physique et palpable d\u2019\u00eatre dans la mati\u00e8re \u00e0 la source de l\u2019intarissable, le vivier urbain \u2013 c\u00e9leste ! -, la matrice du r\u00eave nocturne et du plus vaste r\u00eave diurne ?<\/span><\/p>

L\u2019intarissable joie de l\u2019intarissable, devant la coul\u00e9e des mondes possibles par la forme qui endigue la couleur qui emplit et l\u2019inverse aussi.\u00a0<\/p>

Jamais le silence, pas de silence, le silence n\u2019est pas l\u2019h\u00f4te de Casablanca, le silence est du c\u00f4t\u00e9 de la mort et du genre, alors qu\u2019ici la vie et ses formes et ses couleurs s\u2019engouffrent dans la ville, dans l’interstice de sa m\u00e9moire.\u00a0<\/p>

L\u2019artiste, catalyseur, voyeur, esclave, \u00e9lu, illumin\u00e9, intarissable est pourvoyeur d\u2019images \u00e0 la rencontre de leur adversit\u00e9, de contrastes glorieux, o\u00f9 l\u2019exultation porte le nom sobre de dessin. Car le dessin, sobre mani\u00e8re, sobre mati\u00e8re, contient tout.<\/p>

A toi qui regardes avec et au-del\u00e0, toi dont le v\u00e9cu se reconnait dans les lignes, anticipe le relief, augmente la profondeur, qui partages la joie, rejoins la f\u00eate sans code ni lieu ni heure, f\u00eate du regard augment\u00e9 sur le r\u00e9el intarissable d\u2019\u00eatre affranchi du genre, affranchi de la topographie, affranchi de l\u2019habit qui fait le moine, nu, le corps peint, arpentant, dansant, chantant !<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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A toi qui regardes avec et au-del\u00e0, toi dont le v\u00e9cu se reconnait dans les lignes, anticipe le relief, augmente la profondeur, qui partages la joie, rejoins la f\u00eate sans code ni lieu ni heure, f\u00eate du regard augment\u00e9 sur le r\u00e9el intarissable d\u2019\u00eatre affranchi du genre, affranchi de la topographie, affranchi de l\u2019habit qui fait le moine, nu, le corps peint, arpentant, dansant, chantant !<\/p>

Aur\u00e9lia Maillard Despont\u00a0<\/span><\/p>

le 02 mai 2021
Aur\u00e9lia Maillard Despont est une auteur(e) suisse, sp\u00e9cialiste en litt\u00e9rature contemporaine chez Swiss
Arts Council Pro Helvetia.<\/i><\/span><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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la f\u00e9e verte la crucifixion en rose joli coquelicot circus doll A ceux et celles qui croient dompter la mer, \u00e0 ceux et celles qui pensent dominer la ville. Au plus bel arbre, fier et tendu, \u00e0 l\u2019ascension pour grandir \u00e0 tout prix au-del\u00e0 et par del\u00e0. A celles et ceux qui voient dans l\u2019arabesque […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-1449","post","type-post","status-publish","format-standard","hentry","category-oeuvres","entry"],"yoast_head":"\nAbracadablanca - Pascal Francois<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pascalfrancois.com\/index.php\/2025\/08\/05\/article-1\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Abracadablanca - Pascal Francois\" \/>\n<meta property=\"og:description\" content=\"la f\u00e9e verte la crucifixion en rose joli coquelicot circus doll A ceux et celles qui croient dompter la mer, \u00e0 ceux et celles qui pensent dominer la ville. 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